Wooden desk, richly decorated with neatly laid
documents, pencils, pens, type-writer, and a couple of reference books, is
protectively facing a comfortable chair. Carved oaktree bookcase to the right. A
glass coffee table next to it. Chest of drawers further towards the wall. A
state-of-the- art water resistant door, ornamented with computer-generated
motifs, reveals the secrets of the beauty hidden under the surface of the ages-long
accumulation of ideas, thoughts, and skills.
Good afternoon! It is my duty and honor to welcome
you and immediately proceed with the realization of the reason why you are
here. My uttermost pleasure is to present you with the surrounding that the
company is proud to have in its museum collection of antiques and rarities.
Feel free to inspect the pieces of furniture as well
as the office equipment if you wish to familiarize yourself with the aesthetic
of the eras bygone, only to, by juxtaposition, contextualize contemporary design, business etiquette,
and corporate normativity.
FYI, the interview is going to take place in the
room next to this and you are more than welcome to join me once you have
observed objects on display.
Good afternoon! Thanks! I know everything about
museums, stools, and tables. Let’s just fucking go to the interview room and
fucking talk.
It is my honorable duty to present you with an
opportunity to satisfy your desire to do so. Please!
Thanks!
The purple glass door opens as the bodies are
approaching it. A view of the room, spacious enough to create a sense of
security even in the most destabilized of interviewees, opens up its lungs
caressing the interlocutors with the vibrancy of cutting edge
technology-meets-industrial design that defies its own definition. Namely, the
tendency of new aesthetics tends to be out-of-symbolic in character, so that
offices would, for example, comprise of the equipment that is not easily
recognizable as a corporate aesthetic. That does and does not provoke a desire
to relate it to a typical idea of an office. The desk consists of several
components—collapsible and unfolding—so the computer in the drawer can be
reached if the material sensitive to human presence gets activated.
How old are you?
Three.
What is your main motivation for applying for the
position of an intern?
What’s your fucking definition of motivation?
I will have to kindly remind you that you should be
familiar with the term?
What term?
The term motivation, especially when used in the
context in which I am using it now.
Which is?
What is your main motivation for applying for the
position of the intern?
I am interested in the cultural flux.
That’s most astoundingly akin to the ethics of the
company.
Dope!
Allow me to proceed with the next question.
Shoot!
Would you consider contemplating upon the problem of
why humans still speak when everybody knows that: a) Whatever one says by miles
misses the actuality of what is to be expressed; b) Everybody can violate the
verbalized contents at his or her leisure and according to the increments on
the scale of distastefulness?
Yes. The answer to the questions is: c) Because
language is what humans do.
What about the languages of different kinds?
Methinks those who can understand them have the
right to talk about them.
Thanks! Could you now refresh our conversation with
a thought or two about the very specificities of your interest in the cultural
flux.
Like fuck!
Could you be more precise?
No, you can! Whadafuck do you think is on my mind if
not to talk about the core issues!
Absolutely. Having said that, can you, please, provide
a glimpse of your attitude towards the currents in the corporate world during
the last two decades.
Popular psychology/sociology packaged in a daring
leftist journalist vocabulary is, in fact, mainstream politics politically
correct to the bone. Such journalism presumes that the equation between
monogamy and love is an untenable one. Journalists of such persuasion are right
to assume that there are many monogamous marriages within which the couple do
not love each other. An implication that there is love between and among
individuals outside a relationship of a monogamous type is probably also true.
What is not plausible is to presume that an alternative to monogamy ensures
tenability of the equation. Put differently, debunking monogamy is not a wager
of love.
Additionally, advocates of popular
sociology/psychology/journalism do allow / acknowledge a possibility that there
are couples who live in a monogamous marriage and love each other. The logic of
these intellectuals lays further claims about lousiness of the very notion of
fidelity. According to them, to have sex outside a relationship is inevitable. Not
only is the statement itself highly questionable, given the fluctuating
character of the definition, but the tone of such a claim almost suggests that
the opposite is a deviation from the norm. To support their argument, they
insist on the constructiveness of the model. They, however, never leave room
for raising the question about infidelity being culturally conditioned, as
well. It, one would assume, is either assumed (that it is a construct), or, is
not relevant for the debate (which exceeds logical or any other reasoning). The
crux of the conundrum seems to be an extremely narrow-mindedly understood the
notion of the yardstick.
Another topic the debaters are keen on is the lives
of singles, who, according to a popular doctrine, are liberated to the extent
and in the way in which individuals in a relationships are not. True as it may
be, the claim does not create an impression that it is aware of its unilaterality.
Neither do those who lay it seem to be able to boast of such an insight. In
other words, such an idea of singleness does not allow a possibility of freedom
within a union of two individuals. Stunning is the overarching understanding of
being single as a triumph of individuality. Clearly, such logic does not make a
distinction between individualism and individuality. Needless to say, one couldn’t
even dream of expecting from it to know the difference between uniformity &
union.
Answers can be given in diverse keys. Stories can be
told in different languages. There are keys and languages that define the
answers in the ways in which others cannot. Only those keys and languages one
can understand, albeit sometimes in a highly inexplicable way. Other stories
can be beautiful, irrelevant, or, just self-dissolving. Reshifting onto the logic
of love requires the language that makes it communicable.
No comments:
Post a Comment