Dapoltri!
Passers by in conversation. One of them talks about
his or her romantic gene not being discovered yet. Makes one think.
A thought is a thread. Meandering through the hardly
penetrable fog consisting of molecules of strange valences. A thought is a
thread. Long thread starting from a sparkle. Shy sparkle. Like an onset of a
thought that does not know it can develop into a thought thought. Unfamiliar
even to oneself, a germ of what can be thought about the romantic gene puzzles
itself.
If a thought were spatial, its trajectory would be
the path from a dream one always has on a Sunday via a Thursday night into the
daylight of Friday. Such a thought would find its fully-fledged version on
Saturday.
Such a Saturday starts in lazy, misty gesticulation
by which the face of the dawn announces its unwelcome separation from the eons
of dreamy nights. Its eyelids move with the heaviness of a giant after a hearty
meal. Or, some such bullshit.
It looks at the recording of the digitalized image
of the pieces of the puzzle being put together. It is smiling ironically at its
own silliness:”How incredibly stupid one needs to be to interpret the world as
a book talking against its own words.”
Right
on, for fuck sake!
A thought born on a Saturday when heavy clouds look
more like a perverted image of a white night than a beginning of a new day. Hesitant,
such a thought is moody-paced. Uncertain walker. Not doubting the grayness,
though. Even if it looks like a drunkard’s smile at the memory of the language
of childhood games. There is a safety mask of solemnity protecting whatever it
is underneath that steely sky.
I like the
language I can understand and speak. It’s called the poetics of the remix.
Crawling like a larva’s paw from beneath the
reflection of the midnight sun--a blink. And another. Sluggishly mirroring its
own movements. Or, some such bullshit. Rather, diving into the response to the
fucking eye-opener:”How breathtakingly futile one’s reasoning needs to be to perceive
the book as the mirror image of the world which is its own best foe.”
Right
the fuck on!
A thought born tired. Tired of its own torturing
trickery. Tired of all the words that would describe the accumulated clouds as
an enormous quantity of vapor. A thought tired at the beginning of the day that
wants to be mistaken for the nostalgia lingering over the smile of a drunkard
in an encounter with the blurry memory of childhood when food equaled ice
cream.
(Warming the shadows of nonexistent words one would
use to talk about the memories of things.)
How unbelievably ridiculous one needs to be to confusedly
equate surface aloofness with the engine run out of fuel. How distastefully
unimaginative one needs to be to think softness and anchorage as
incommensurable. And yet, how irrefutable the fact is that nostalgia is
indissoluble until it evaporates from the intoxicated dream. Until all the haze
is dissolved in its own oversaturation. Until the thought reemerges in the clarity
of the thread that makes it what it is: freedom from everything, but not for
anything.
I like the
language I can understand and speak. It’s called the poetics of the remix.
The remix is the language one
learns. Strangely, as one learns, one not only acquires it, but recognizes it
as if it were a communication system previously available, stored, and kept
forgotten in its hibernation until a new word, a new phrase, syntagm, sentence…stories…vocabularies,
and what not, revitalize and reanimate that communication treasure falsely
perceived as absent. When it reemerges from its oneiric empire, it is of the
approximately following content:
When I was a wee
lassie, I used to know a wee laddie. We were friends. We met every day in a
nearby park. Our respective houses were across the street from it. We would
meet during the long afternoons when most of the kids were either at school, or,
doing homework, or, playing with other kids. We would finish our duties and
were free to immerse ourselves in what we then did not know was called
idleness. Or, some such bullshit.
I would tell him about
the game I played during the long mornings when he was at school, or, doing his
homework, or, some such bullshit. I liked to play the game in which I would dream
of a child who thought he was a middle aged gentleman working as a sales
manager in a multinational corporation. He would have a strong, clear sense of
universal values: he thought of them as nearly nonexistent. For that reason, he
would wake up every day with an overwhelming sense of the universe’s
indifference to such a state of affairs. Overwhelming was the impression that
the fact of his transition from sleeping to being awake, followed by a commute
to the company’s premises, a day at work, journey home, and an evening spent
this or that way--at home or in a pub with a bunch of fe/males who excel in
lifting the pint and carrying it to meet the mouth so the elixir could saturate
the thirsty cells in the way that proved the flexibility and stamina of their
biceps, thereby reconfirming their fe/mascu/minilinity. He would think such an
evening or an alternative—a TV treat or some such extravaganza—was his ticket
to a recuperating, reintegrating sleep.
My friend told me about
the game he would play while I was at school, or, doing my homework, or, some
such bullshit. He liked to play the game in which he would dream of a child who
thought that she was middle-aged lady working as a renowned professor of
library archives. She held an unreserved conviction that the universe would
find the plethora of information available in countless databases laughable
were the comparison possible, or, at least, not offensive to a sense of good
taste. Or, some such ethico-aesthetic bullshit. That aethic sense she believed
to have been based on the fact that library archives were an integral part of
the universal, nearly nonexistent values. Needless to say, it severely
overshadowed carefreeness of her morning commute to work, daily journey through
the archives, dozing off on the train on the way back home, and an evening of
the biceps-pint nexus routine.
But, that’s the same
game!
Shit! That’s the same
dream!
Same beer! Likefuckshitfuckwhadafuck!
Same work!
Likefuckshitfuckwhadafuck!
Lke fuck! Like fuck!
Same books, stories,
syntagms, phrases, vocabularies…
To fuck : YES. To fuck
: NO.
(Cooling the existent
ones crammed in the lonely thoughts preserving things, preventing them from
getting lost and dislocated.)
Partly philosophized,
partly politicized is countersomnabulist, anti-carpe diem hic & nunc poetics.
I like the
language I can understand and speak. It’s called the poetics of the remix.
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