Saturday, September 6, 2014

Appendix (1 / 5)

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The driveway opens up comfortably reclining in the sovereignly soft embrace of the protective greenery. Stems fragile, and yet persevering. The breeze as mild as the armchair’s unobtrusive, yet undoubted, presence. The fireplace unmovable. The lamp like a symbol of persistence amidst the cornucopia of alternating cycles of noise & silence. Where nature, architecture, thoughts, and everything else meet in the language of alternating cycles of collision & accord, the lamp smiles radiance into the space soaked in the smell of the mellow breeze. Its shade opens up like petals emanating indigo smoke across the wilderness dotted with sunsparks. Galaxies encrusted with a corona of snowflakes. Each of them like raindrops satiating the exhausted bark’s thirst with an appeasing layer, simultaneously keeping the desertlike dreamscape in abeyance and allaying a drought.  Amber like mafotherphunkie smileshield whispering to the attentive mollicules of air tales of wandering, search, scattering, solitude, stamina, and reintegration. Laceworks.

memories bring vibes from the days bygone when politics of ideologically poetic philosophy meant music and an understanding that in order to dissense one needs to consense /  when sunny climes meant long, lazy, rainy mornings saturated in music / above all, when sunshine meant sweet fruit and freedom from everything, but not for anything.

Nostalgia is not that what colors such memories. Sweet music is immune to idealization, lionization, romanticization, glorification, and/or any variant of bullshiteering of the kind. So is it to projections, introjections, buzz smudge, somnambulist logic, and/or any robozomboid combination. Like phunk.

it’s just that last nite i thought i had a dream of u / in it, we spoke the language i can understand and speak / and so can u.

Q : likemafotherphunkiephunk.
A : likemafotherphunkiephunk.



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