Webwi(e)red
--Heyya three looking, wass
yo like dream like?
Snow protected branches in
the guise of waves of humidity; snowflakes, where leaves should be, in the
guise of floral decoration.
A color petal peels off the
palette. Lowers a soft touch onto the scenery singularly recognizable by the
oneiric apparatus of ye message.
Melts into the hybrid
horizon of the city, melts into the pastel chromoscape.
Spanning the orangepurple trajectory : that what
spreads.
--Verily.
Twas a deserted urban giant.
We were driving across the vastness of that lonesome monster. Now, what the
reference of this first person plural pronoun is may be either unfathomable,
or, simply resistant to a precise verbal articulation. Quirky mellowness of the
oceanic avenue ahead, perplexing irresponsiveness that appears exactly as it is
around. We kept sailing through that urban riddle. Its architecture exuding the
cold of the communication channel dominated by muteness. Buildings whose
purpose, aesthetic, and looks converge in the blandness of facades.
or, so somnambulist logic
would want one to believe / kesenem!
What you see is the surface
is what you get—an impression.
Where surface is mistaken
for interior is where unruly linguistics says : “me no likes it.”
We kept sailing that
oceanlike driveway. Something profoundly suggestive of a story behind the
unconvincing facelessness of colossal babylonian glass monuments made us continue
immersing oneself in mesmerizing oscillations between discomfort caused by the
site of utter emptiness and a sense of warmth holding threats in abeyance.
Continuing the journey
through the architectonic goliath starts revealing chunks of the story one can
more sense than decipher. Neither overrating the intuitive, thereby devaluing
the rational, nor elevating reason, thereby understating the imaginative, one
rather finetunes to the sound of spatiotemporalities : resilient, yet not unstable;
unshakable, yet not rigid.
Thus finetuned, one realizes
that the sound of such a puzzling urbanity is but the vibrant mafotherphunkie
message the cymbal—the emblem domineering the coat of arms--sends to whoever is
willing to listen.
--yo cymbalness, speak for
fuck sake!
vibe of abandonment, vibe of
emptiness : that what spreads.
tales of facades are
suggestive of the idea that bondage by mastery is possible only by virtue of
the underprivileged acknowledging such sociopolitical perversity. / but, the
oneiric riders know better. / the underprivileged might be aware of the delusion
of omnipotence enabling enslavement in question. / this by no means should be
confused with any erroneous variant of the aforementioned statement.
Webwi(e)red.
As (self)dissolving
hollowness of architectonic surfaces gives way to the gentleness of pastel
saturation, flamboyance of floral
ornamentation vibrates with the song of the underlying snow embalmment and the
dreamscape slips away with the flux in the hourglass.
--hey, little one!
--yo!
--wass yo like dream like,
ha!
--hey, watchya oneiric
mafotherphunkie vernacular, willya!
--yo!
--kesenem.
--kesenem.
like phunk. / like phunk.
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