Friday, November 20, 2015

Storystyling : sunshowered (2 / three)

Let Us Behave, Shan't We

Spent some vacuum-time in space-void. Saw heavy fog roll. Heard clouds grey. Learned something about the way the world is now. Still proud to say that i don’t know wass strong is.

Those who say that time is money do not think of themselves as of philosophers. Rightly so.

--Yo hourglass cymbalness, /  u я the 1 who brings to this world  ethereal petals. / u я the 1 who vaporizes chromos clockface. / u я the 1 who saturates the universe with a cypress whisper.
--Wow 2 u, mellifluously tongued. Now, gedafuckoutta here & behave for fuck sake, thou little one!

spent some vacuum-time in space-void. tunnels of humid heatwaves for breakfast. ozone for dinner. light lunch.

thought i saw u in my fogged eye. thought the dream i’d thought i‘d had was language. thought yo vision was cloudy, v.

--Now, cut it out & speak the proper antibabylonian idiosyncrasies, u know, yo cymbalness!

If the center is central no more, is so the nodal now?
If so, how such a situation inspires reconfiguring the periphery, one wonders.

Hourglass, like a good servant-carrier of the flow rolling crystallized shadow fractals, / rolling dissolved fog & molten clouds.
Hourglass, like an obedient vehicle bringing to the eyes of the world a reflection.

/

We used to go for long walks during the afternoons that smelled of a breeze so fresh that no dusky coloring could rob from it the vigor of lightness. Mostly, our walks would take place by the river. Its flow was to us like a steady companion whose presence was as subtle as it was comforting and energizing. We would talk about the way the crispiness of waves imbued in our eyes sparkles commensurable with the solar glow. We would talk about the softness of the air absorbing discreet shifts on the overarching canvassdome.  We would talk about the manner in which it made our heart laugh. We laughed, v.

I guess we chose the river because the night was falling on it like a caring parent. I guess we chose the river because at night we could see the indigo cover oiling its indefatigable power to stun : exalted in the grandeur of rolling & stillness--the perseverance of a quiet whisper. Like mafotherphunkie bassline.

As the night solidified the fruits of the conquest, we would continue our walks moving towards the sites where what we thought the river had told us could be walked and further whispered. We would choose a high-octane urban interlocutor to walk the river’s urbane message. We used to talk about the way avenues acquired the smell of the droplets kissing within a second-long levitation, gently pushed from the wavy surface into a childlike mischief. We talked about being fond of recognizing the language of the river in some buildings. We thought that the correlation gifted us with a sense very much similar to looking at the mirror. Some buildings looked like mirrors to us. They spoke the message of the river, we’d think. We liked that language. Because we could walk it. Because those walks drenched our heart with a whisper. We whispered, v.

I think we chose the vibrant cityscape because it indigo/oiled our thoughts. Saturated it with the walk of the buildings that talked like mirrors that would indefatigably persevere in gifting us with a reflection. We liked it because it was in so many ways similar to how our eyes emanated the lacy waves’ titillations. We liked it because it gave us the sunspark epitomizing the vastness of intergalactic pathways. Because they were very much like the ways the buildings taught us remapping.

As the night was weakening, the fading thickness of darkness would indicate thinning of the density of the maps, and yet sustaining the intensity of the robust quiet. As we walked through the disestablishment of a night ruler, our thoughts were more focused on the very words in which we told each other about mirror-river-building messages. The walk infested with rascalness of dawn was always an unmistakable signal that the continuation of our stories would take place in the coziness of a room. Comfort of numberless cushions, balmy walls, friendly plants, a shy ray leaking into the space amidst which we found ourselves talking about the way we spend our days and nights.
i used to like those talks. i liked them a lot. because they taught me about the language they were told in. because they were told in the language i can understand and speak. and so can u.




/

--Inkflow infused in yo skin floods your being midnight blue.
--Bullshit.


--So colored, yo epithelium breathes oneiric inkclouds into the thirsty alveoli of the universe.
--Gimme a/one break.


--Only the color of yo ethereal flooding can devacuumize the reforgotten corners of distant galaxies so entrenched in the torpor of invisibility that they are becoming undetectable even to themselves.
--Gettafuckouttahere.


--Pulverized stardust disappearing into nanopaths of its regenerative core refracts midnightink rays : by re-focusing it distracts not.
--Shudafuckup.

--Did you once say something?
--   /  


--Yo ma guy.
--   /  


Soft autumnal nights in a stark contrast with the days during which streets seem to be absent from the light that showers them. Through the former, the summer speaks. Through the latter doesn’t speak anything.
In the onset of the day is a memory of the night. Pastel chromoscape, dissolving an impenetrable ink empire, preserves reminiscences of the density of moonshine / oiling. Deserted playgrounds, drenched in a silverspark coating, are but an invocation of the games played there when the moon exhausts its emanating power. Abandoned streets passing by, as the journey is heading towards cushion-whispered stories and gentle echoes of the sound from the copious collection of carefully selected records : once listened to and now epitomized in raindrops shyly sprinkling slumberous sunrise.
***
It seems that one had too much intergalactic milk from unsmoked books, ha!


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