Ocean of Sparks
When the city is marinated in its own juices, when
pollen’s kiss leaks down the thirsty, yet stately barks, it hovers through the
avenues of mist. Within unlikely encounters between blossoming flora and
overcast gloom, it meanders around the facades’ dreams of the interior they
protect. It is a spicy ingredient of the city’s wild dance. It is a mild
reflection of the river’s eye. It smells of the sea. It rains.
It rains clouds’ whisper. It echoes the river’s
kiss. It dreams rain of buds.
When haze prevails, it withdraws into the protective
shield the reflection provides. When the solemn frown of the cloud dissipates,
it soaks the city with a spicy kiss of dance. As the breeze feathers the cheeks
of the facades, it clothes the city in oily mist. While the river bathes in its
own juices, it smiles the smell of its eye. It is day’s dream of moonlight. It
is night’s thoughts of radiant facades. It rains.
It rains moonlight clad in oily mist. It whispers
the sea bathing in the river. It is the rain it rains.
***
i think i know the smell of that whisper. i think i
recognize the sound of that reflection. Because i know what the sea is and how
the river looks. Because i know the color of the rain. It’s the color of
language. It rains.
***
--how come thou endure when you were born?
--revolution occurs in historical records insofar as
time is named time.
--wass yo name?
--belief in the permanence of the constitution of
rights is founded in a misnomer.
--how is permanence possible if it is but an
instance of proliferated variety of terms used according to the versatility of
the perception of (un)realities and linguistic affinities?
--contrary to common wisdom, the revolutionary
spirit is not sustained through the hope that there can be as many changes as
there are dysfunctional regimes.
--do thou prefer a moniker to misnomer?
--mane is a silver reflection on a wavy, midnight
ink surface.
/ : whoo-whoo…
/ : tho wha?
/ : while the notion of allergy by no means
coincides with the concept of time, the fact has zero impact on declaring
either zis or zet being nothing but a manifestation of the proclivity toward
performance under the disguise of act.
to insist on the spoken word is no excuse for ignoring
the rules of alphabet. having said that, one sincerely hopes that verbal
manifestations such as “whoo,” “wha,” etc. indicate no blind spot about the
familiarity with the accurate variant in all vocabularies, regardless of their
pluralist playfulness, known as “ha”!
/ :
exclamations, onomatopoeia, and linguistic tools of their ilk might easily be
the most extreme examples of nominalist nature of discourse.
nominalism might not necessarily be related to
the concept of name in the narrowest sense of the word.
/ :
hey, wass yo name?
/ :
how can u endure if tho were born?
/ :
may one persevere in resisting being sold marmalade for shit, yo?
not buying into the discursive choice that
allows sacrilege such as the notion of innate might enable reducing eathix off
politix in cultural realities.
/ :
lo!
/ :
sure. we take no shitty consolation offered in the idea of reducability,
particularly when it comes to the common denominator & some such stuff, ha!
sure. and yet, one shouldn’t be mislead to
uncritically equate reductionism with the concept of the irreducible and
irreducible concepts for that matter, ha!
/ :
like phunk! no marmalade for shit. no concept is reducible to the role of
social glue, innit. no marmalade for shit--that has always been the favorite
slogan of ours.
/ :
in addition to being sensitized to alphabet induced allergies, one certainly
shows no predilection for ignoring syntactic rules. having said that, it is
noteworthy that one can only ask: “ who am i?”.
/ :
meaning wha?
/ :
like phunk! one can only ask ”who am i?”.
/ .
***
When one was a wee ladd/ssie, at the age of three
(while thinking one was still two), one conjured up a piece of the
approximately following content:
yo rascalness /
do tho not hourglass
to the omniscient cymbalness?
although me doth not cry,
deep inside, me weepeth /
conversely,
while my face may look like an epitome
of misery to u,
my innerness emanates
glee that you might know, as well /
because it’s the language i can understand &
speak.
and so can you.
it’s called the poetics of the remix.
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