What is available to
one in an encounter with the sites meeting the eye with indifference? With the
same indifference the eye prompts the communication apparatus and words start
their momentary hostility attack. What words are being generated in an
encounter with the scenes indifferent to the commentator? The words indifferent
to the commentator. There is a moment when the vehemence of verbalization seems
to be capable to overshadow the glow otherwise present. There is a moment of a
panicky outburst of the realization that the words, the scenes, and the
commentator are undeniably in discord. There is a moment of paralyzing confusion. The moment that calls for being detected, unmasked, and
rejected. The moment almost seamlessly transposed into a paralyzing awareness
slowly dissolving the thickness of the bewildering paralysis. The moment that
calls for being recognized, disambiguated, and resisted. Softly clearing
gelatinous obstacles: The words not speaking the language of what needs to be
said call for being negated. Their threatening impact to be acknowledged as a
disguised charm of a foggy night when shadows hide the traces of the misty air
softly dissolving into the night leaking from the fading twilight as people go
from work to the warmth of their homes.
Lurking from beneath a
snaky cloud veiling the city, a golden whisper is spreading through urban
enclaves of words in conflict, words in accord. Alternating. Kissing. Biting.
Necking. Crawling. Floating. Golden whispers of smoke. Moonlight, foggy looks
exchanged:
Watts
yo mafotherfucking slogan?
Rain,
sweet fruit, and sunshine in the service of freedom from everything, but not
for anything.
Yomafotherfuckingerbera!
As a child, I did not ask myself how many people in
the world started using the telephone long after their adolescent courtship was
over. When they were children, my parents did not ask about the percentage of
the world population actively utilizing the luxuries of the radio signal,
having spent their youth, info-starved years completely unaware of enlightening
wavelengths. Their mafothers didn’t give a fuck about the rest of the world
having been introduced to the enchantment of the steam engine, aircraft, and
what not—you name it—after they had spent long years of riding horses,
horse-drawn vehicles, donkeys, and donkey-horse versions of each other…unowadamsayin…
Nowadays, nobody gives a shit about half-of-the-planet-or-so
spending their time, doing their jobs, dreaming their dreams, and, generally,
fucking around, with the help of the utensil with which they met only after a
couple of decades had been spent in the manner strikingly different from how
technology reshaped the everyday, once it kicked in big time. Even fewer are the
minds who entertain the idea that millions have no fucking clue what the former
are talking about, since they such decades know not.
And / and yet / yet, / , one / one can’t / can’t but
/ but wonder / wonder what / what kind / kind of / of communication
/ communication it / it is / is between / between fragility / fragility and /
and adjustability / adjustability that / that enables /enables such / such
incessant / incessant, / , unfathomable / unfathomable cultural / cultural remapping /
remapping.
Who
cares! Choose
: YES / NO.
As always, in such an impenetrable jungle of words,
yours seem to be zillions of galaxies from where mine are being communicated.
Moments of smoke. Moments of golden whispers. Moments of the words of shadows.
Moments full of rainy days. From the epochs bygone. When the selection of words
succinctly indicated that some other choices were not made. Based on the ones
made, though, the vivacious memories decorate indistinct days, the monotony of
noise. Uncertainty: Does one, or, does one not like those choices? Certainty :
Know how to ask a fucking question. Doubt: Does one, or, does one not want to
remember? Certainty : Gettafuckouttahere and select yo words with care!
(In some people’s memories other people are the
past. Some people have future thoughts of other people. Some people in some
people’s thoughts are the present.)
I love the language I can understand and speak. It’s
called the poetics of the remix.
(I remember things. The word things means what
constitutes part of who one has been.)
I want that language to speak through the enclaves
of silence and tell me that there are jungles making my words unreachable from
where yours are being communicated, but that such a swarmed communication
tunnel is being reconfigured into the simplicity of the clear communication
channel.
No comments:
Post a Comment